Drawings depicting balakbhav drawn by Mrs. Uma Ravichandran in which lady seeker plays games with Bhagawan Shrikrushna in River Yamuna and in the other drawing she is dancing with Bhagawan Shrikrushna.
Pictures depicting balakbhav by Mrs. Uma Ravichandran’s in which child seeker is holding Shrikrushna’s pitambar tightly and falls asleep on His shoulder and other in which Shrikrushna embellishes the child-seeker like a balgopi.
Let us see Mrs. Uma Ravichandran’s 2 drawings, one in which Shrikrushna is welcoming a newborn and second in which Shrikrushna is narrating the stories
of His leela as a child and feeding curd-rice to lady-seeker.
Read about the qualities to be learnt from the substances used in Puja (Ritualistic worship)
Drawing a rangoli in a sattvik pattern around a wooden platform or altar before commencing any puja (Ritualistic worship) helps to form a protective sheath, of rapidly moving waves emanating from that pattern, around wooden platform or altar.
By offering dakshina, a virtue of sacrifice develops in the individual. From sacrifice, detachment develops and this in turn gives rise to vairagya (Ascetic-like detachment).
Through this article we will understand the knowledge obtained by Mrs. Uma Ravichandran engrossed in balakbhav (childlike emotion) unto Shrikrushna while drawing the pictures.
When offering Naivedya, first pray to the Ishtadevata (Benevolent Deity) and draw a mandal on the floor in front of the Deity.
Akshata has the ability to attract frequencies of 5 Deities, to activate them, make them functional and to transmit them with the help of Earth and Water elements.
This article details various inferences drawn by Mrs. Uma while drawing the pictures. These will definitely help the readers in awakening their Spiritual emotion.
